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Blurred Images

Blurred images serve as a compelling visual expression frequently employed by artists to evoke a sense of anonymity and uncertainty. Moreover, artists utilize this technique to portray something vague or to depict old memories that persist only as fragmented or partial recollections.

Gerhard Richter
Ema (Nude on a Staircase), 1966
Oil on canvas
200 x 130 cm (78.7 x 51.2 in.)
Museum of Ludwig, Cologne

Francis Bacon, the renowned British painter, is recognized for his emotionally charged and enigmatic artworks. Bacon often employs blurred and distorted forms, which contribute to a haunting and unsettling atmosphere. This blurring of figures and backgrounds adds a layer of ambiguity to his work, leaving viewers to grapple with the uncertain and subconscious aspects of human existence.

Similarly, Gerhard Richter, a German contemporary artist, employs the concept of blurred images as a central theme in his Blur series using various techniques, including squeegeeing and scraping, to create paintings that are deliberately out of focus. Through this deliberate blurring, Richter explores the boundaries of representation and abstraction , inviting viewers to engage with the elusive nature of perception and memory.

Photographers employ a diverse range of techniques, both classical and digital, to create captivating blurred images as a unique visual expression. By deliberately adjusting the focus of the camera, using long exposure, or combining multiple exposures in-camera, they evoke a sense of painterly qualities, motion, and dynamic speed in their artwork.

A compelling example of this artistic approach can be seen in works by American artist Barbara Ess , who is known for her experimental use of photography to craft blurred and obscured images. Ess employs techniques like intentional camera movement and defocused photography to create evocative and dream-like compositions. By deftly manipulating blurred images, she adeptly conveys the themes of identity, memory, and the transient nature of visual perception. Through this artistic approach, she pushes the boundaries of visual storytelling beyond the limitations of conventional sharpness and clarity, inviting viewers on an introspective and thought-provoking journey of exploration.

Barbara Ess
Guys on Corner [Remote Series] , 2012/2019
Archival pigment print
61 x 81 cm (24 x 31.9 in.)
Courtesy of the artist’s estate and Magenta Plains, New York

Related categories

Photography

Memories

Color Field Painting

Light/Lightings

Optical Illusion

Relationship Between

Reality and Fantasy / Illusion / Imagination

Abstraction

Light/Darkness

Ambiguity

Acrylic Paint

Gentle and Smooth Brushstrokes

Digital Print

Science Fiction