Ebecho Muslimova
Makhachkala
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A Detached Hand
Magenta Plains is jubilant to present A Detached Hand, organized with independent curator and advisor, Nicole Will. The exhibition is an articulation of the “model of difference” put forth by the late art historian Linda Nochlin in her lecture from 1994, The Body in Pieces: The Fragment as a Metaphor of Modernity, and includes work by fourteen artists who negotiate a discursive visual language of corporeal fragmentation and defy traditional representations of the figure.
The birth of modernity, ushered in by the French Revolution, sought to re-identify the semiotic relationship of part to whole through deliberate destruction of the past. With the emergence of the guillotine came an archetype of human dismemberment and a castration of power: sacrificial, ritualistic and psychosexual fetish bolstered the artistic mind, serving as a template for reinvention.
Reflecting upon the intellectual crisis of the eighteenth century where a utopian wholeness and heroic past of grandness was too ideologically consuming for artists, Nochlin constructs the paradigm of “the body in pieces” as an exemplary Revolutionary trope through a case study of depicted amputated, severed, and mutilated anatomy as well as cropped compositions seen throughout art history in the work of Géricault, Degas, Manet, Max Ernst, Louise Bourgeois, and more.
A Detached Hand examines the Nochlin’s paradigm and its larger implications: that modernity is marked by social, psychological, perhaps even metaphysical fragmentation—a shattering of connection. The selected artists in the exhibition negotiate such concepts. With George Brecht’s Two Exercises from 1961 in mind, the cumulative human parts represented in this exhibition can be considered both “other” and “object”—begetting new objects and others in a Frankensteinian operation within the context of the whole. The body is dismembered, split, and re-conjoined in the mind’s-eye. For some it becomes a physical link to identity, for others, it offers a chance to explore the surreal.
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Artist
Various Artists
Date
Jun 28 - Jul 26, 2019
Location
Contact
Photos
Installation view of A Detached Hand
Magenta Plains, New York
Close
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A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Elaine Cameron-Weir
zone in which the shell material was essentially solid and an axial zone in which cup-shaped cavities remain in the camerae; with growth, the axial zone widens adorally at the expense of the peripheral zone
2019
Stainless steel, aluminum, pewter, parachute silk, parachute harness clips and ripcord hardware, laboratory clamps, orthopedic jaw fixation hardware, leather, shells
79.50h x 24w x 8d in.
Courtesy of Magenta Plains, New York
Elaine Cameron-Weir
(detail) zone in which the shell material was essentially solid and an axial zone in which cup-shaped cavities remain in the camerae; with growth, the axial zone widens adorally at the expense of the peripheral zone
2019
Stainless steel, aluminum, pewter, parachute silk, parachute harness clips and ripcord hardware, laboratory clamps, orthopedic jaw fixation hardware, leather, shells
79.50h x 24w x 8d in.
Courtesy of the artist and Magenta Plains, New York
Bruce Nauman
Soft Ground Etching - Coral
2007
2-color etching
29.75 x 34 in.
Courtesy of the artist and Magenta Plains, New York
Bruce Nauman
Soft Ground Etching - Green
2007
2-color etching
29.75 x 34 in.
Courtesy of the artist and Magenta Plains, New York
Cameron Clayborn
toolholder
2017
Glitter, vinyl, steel
37.50h x 31w x 11d in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Bruce Nauman
Soft Ground Etching - Yellow
2007
2-color etching
29.75 x 34 in.
Courtesy of the artist and Magenta Plains, New York
Bruce Nauman
Soft Ground Etching - Rose
2007
2-color etching
29.75 x 34 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Ebecho Muslimova
Fatebe Bottom First
2019
Sumi ink and watercolor on paper
12 x 9 in.
Courtesy of the artist and Magenta Plains, New York
Ebecho Muslimova
Fatebe Poop Act
2019
Sumi ink on paper
9 x 12 in.
Courtesy of the artist and Magenta Plains, New York
Ebecho Muslimova
Fatebe Ball Toss
2019
Sumi ink on paper
9 x 12 in.
Courtesy of the artist and Magenta Plains, New York
Ebecho Muslimova
Fatebe Untitled
2019
Sumi ink on paper
9 x 12 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Nicolás Guagnini
The Bewitched Man
2016
Virtified glazed ceramic, book (I. Goya, Dagmar Feghelm, Prestel [2004])
17.01 x 13.5 x 9.76 in.
Courtesy of the artist and Magenta Plains, New York
Israel Lund
Untitled (Severed Information)
2018
Acrylic on raw canvas
10.75 x 6.13 in.
Courtesy of the artist and Magenta Plains, New York
Caitlin Keogh
Study for Hands (After Dante Gabriel Rossetti)
2019
Graphite and colored pencil on paper
16.54 x 11.81 in.
Courtesy of the artist and Magenta Plains, New York
Hans Bellmer
Untitled
1946
Graphite and white gouache on paper
5.5 x 3.63 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Penny Slinger
The Safe Period
1969/2014
C-print from original collage
16 x 10.63 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Christina Ramberg
Untitled
1983
Ink, graphite, and colored pencil on paper
11 x 8.5 in.
Courtesy of the artist and Magenta Plains, New York
Christina Ramberg
Untitled
1981
Graphite on paper
11 x 8.5 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Narcissister
Mask Art Series (Profile with red braids and bowls)
2015
Digital print
24 x 18 in.
Courtesy of the artist and Magenta Plains, New York
Hans Bellmer
Untitled
1946
Vintage silver gelatin print
3.13 x 2.38 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Brooke Hsu
(detail) ear stick
2014-2019
Bronze, urine, acrylic plexiglass
6 x 12 x 6 in.
Courtesy of the artist and Magenta Plains, New York
Brooke Hsu
ear stick
2014-2019
Bronze, urine, acrylic plexiglass
6 x 12 x 6 in.
Courtesy of the artist and Magenta Plains, New York
Kiki Kogelnik
Life Hangs on a String!
1970
Color pencil on paper
14 x 10.63 in.
Courtesy of the artist and Magenta Plains, New York
A Detached Hand
2019
Magenta Plains, New York
Image courtesy of Magenta Plains, New York
Dan Herschlein
The Long Dumb Voice
2017
Wood, pigmented joint compound, paint, wax, graphite, grass, and soil
42 x 17 x 4 in.
Courtesy of the artist and Magenta Plains, New York
Kiki Kogelnik
Untitled (Robot)
c. 1967
Enamel and ink on paper
25.75 x 19.75 in.
Courtesy of the artist and Magenta Plains, New York
Kiki Kogelnik
Untitled (Figure)
c. 1965
India ink and ink on paper
16.5 x 20.94 in.
Courtesy of the artist and Magenta Plains, New York
Installation view of A Detached Hand
Magenta Plains, New York
Artworks
Ebecho Muslimova > <
Fatebe Ball Toss
Fatebe Bottom First
Fatebe Poop Act
Fatebe Untitled
Ebecho Muslimova > <
Fatebe Ball Toss
Fatebe Bottom First
Fatebe Poop Act
Fatebe Untitled
Ebecho Muslimova
Close
Open
Fatebe Ball Toss
2019
Sumi ink on paper
9 x 12 in.
Courtesy of the artist and Magenta Plains, New York
Fatebe Bottom First
2019
Sumi ink and watercolor on paper
12 x 9 in.
Courtesy of the artist and Magenta Plains, New York
Fatebe Poop Act
2019
Sumi ink on paper
9 x 12 in.
Courtesy of the artist and Magenta Plains, New York
Fatebe Untitled
2019
Sumi ink on paper
12 x 9 in.
Courtesy of the artist and Magenta Plains, New York
Artists
Ebecho Muslimova
Makhachkala
Brook Hsu
Bruce Nauman
Caitlin Keogh
Cameron Clayborn
Christina Ramberg
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